Original Works on Panel

Luminous woven landscapes of texture and colour created through thoughtfully applied layers of thick impasto brushstrokes and loose palette knife work. Painted with lush Golden hard bodied acrylics on a birch wood surface cradled on 1.5″ gallery depth frame. Each original painting is signed and ready to hang or be framed. Available on varying sized panels, original paintings between $400 to $900 CDN. Please email for pricing or purchase.


PHTHALO GREEN FIELDS
Jane Holden
2026
Acrylics on Birch Panel, framed
12 x 12 x 1.5 IN
AVAILABLE
Email for Pricing & Purchase

Simple News That Nature Told


ALONG THE FOREST EDGE
Jane Holden
2026
Acrylics on Birch Panel
12 x 9 IN
SOLD
SPRING IS IN THE AIR
Jane Holden
2026
Acrylics on Birch Panel
24 x 18 x 1.5 IN
AVAILABLE
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AUTUMNS RADIANCE
Jane Holden
2026
Acrylics on Birch Panel
20 x 16 IN
SOLD
STILLNESS AT SUNDOWN
Jane Holden
2026
Acrylics on Birch Panel
20 x 16 IN
AVAILABLE
Email for Pricing & Purchase
THE HILLTOP AWAKENS
Jane Holden
2026
Acrylics on Birch Panel
20 x 24 IN
AVAILABLE
Email for Pricing & Purchase
EVER CHANGING SKIES
Jane Holden
2026
Acrylics on Birch Panel
20 x 20 IN
SOLD
ENDLESS CLOUDS
Jane Holden
2026
Acrylics on Birch Panel
12 x 9 IN
AVAILABLE
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QUIET ADMIST THE FIELDS
Jane Holden
2026
Acrylics on Birch Panel
12 x 16 IN
SOLD
THE SIMPLE NEWS THAT NATURE TOLD
Jane Holden
2026
Acrylics on Birch Panel
20 x 20 IN
AVAILABLE
Email for Pricing & Purchase
FOG ENVELOPS THE FIELD
Jane Holden
2026
Acrylics on Birch Panel
12 x 16 IN
AVAILABLE
Email for Pricing & Purchase


A few words from a poem, ‘This is my letter to the World’ by Emily Dickinson set me on an unexpected journey. Resonating ever so deeply in an unknowing way the words had a lasting effect on me. I kept the poem in constant reach within my mind, often reciting the words ‘The Simple News That Nature Told’. This is how I came to make paintings from the quiet within the landscape. Exploring through observation what it is that establishes our relationship with the landscape has informed the foundation of my art practice, I began making an archive of photos of the ever-changing landscape taken from my everyday began to inform my work. Reoccurring themes in my works being simplicity, quiet stillness, moments of time and the ever changing. The experience of looking at the landscape has intrigued me and I began to wonder how I can translate the landscape into my work. I use the language of colour to translate experiences with the landscape into paint, making paintings that embody the essence of the landscape.



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